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The term mambo is a reference to a then-popular dance group performing extremely fast dances, along with the Vodun spirit, in the Cafe d'Ambiance in Cuba in 1959.[32][34] This group was imported to the United States and other countries.[34][35] The first mambo recordings were made by Sergio George, a Cuban-American salsa singer-pianist-musician-composer from New York.[34][35] After this, Cuban musicians began to play the drum chants and gourd rattles, as well as the Cuban percussions, essentially creating a new style of music in the United States. The mambo quickly became popular across the African-American community, especially among Latin drummers.[38] Joe Bataan and Tito Puente are considered to have helped to create a style that became known as Cuban rhythm. The first recorded performance of mambo music became an integral part of the careers of Cox-Todd and its band members, who became known as the Sounds of Cuba.[39] The mambo song, Una Voz Aqui no Se Camina, has English lyrics by Señor Calderón,R&B guitarist Al Escobar and is another example of the crossover between jazz, rhythm and blues and mambo.[40][41] In 1960, Tito Puente, who recorded the Cuban rhythm previously, recorded the single, La Cuca de Amor with his orchestra.[41][42] In 1962, Tito Puente's orchestra recorded the single, Granada. Granada was a popular Caribbean music genre that combined many Latin and West Indian styles, including mambo.[41][43]
Village Vanguard is a jazz club which, amongst other things, is known for being the place where a certain New York bass guitarist (who will remain nameless) and Dexter Gordon began a lifelong conversation. It has been referred to as one of the most influential jazz clubs of all time, if not the most influential.[47] Essentially, the club became identified with the music of a certain historian named Miles Davis, who first played there in the early 1960s. d2c66b5586