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Adapted from Harlan Ellison's 1968 Nebula Award-winning novella of the same name, Jones' film is cinematically imaginative yet ideologically contemptible, a testimony both to innovative low-budget filmmaking and a perversion of its source. It remains one of the most divisive sf films of the 1970s, garnering approbation largely from men (it won the 1976 Hugo for dramatic presentation) and condemnation from women (reviewing it in 1975, Joanna Russ considered it a loathsome movie 'about how to feed your girlfriend to your dog and live happily ever after' (66)) in equal measure. Its accomplishments and its notoriety have doubtlessly made it one of the most enduring independent films: it played uninterrupted in America for fourteen years, in Paris for seven and has been translated into eighteen languages (see Jones' director's commentary). Its DVD release provides an opportunity to re-examine this polarising cult classic.
Barreling down the I-5 with my check engine light on and the radio tuned to 640 am, I realized we are indeed in the midst of a crisis. It's like I've stepped into a George A. Romero movie, and I can't get out. Reports of a pig virus are sweeping the nation, and each incoming news alert hits like the background noise in a Dawn Of The Dead flick. We are in the first stages of something awful. A pandemic. One that could eat the entire human race and all of this weekend's box office receipts. If X-Men Origins: Wolverine underperforms, it's not because every fanboy on the planet has already downloaded the marginally entertaining fourth film in this longstanding franchise onto their computer. Its because we're afraid to leave the house. That's what Variety is claiming in a new article about the sudden and unexpected emergence of The Swine Flu, anyway!
Does Hugh Jackman have many enemies? None that I can think of. But Fox may have a few. One theory, which was told to me by a comrade in arms, suggests that Warner Brothers, upset over having to share Watchmen profits with Fox, may be at the heart of this sabotage. And now, they are whipping up false reports about a pig virus to keep kids out of theaters this weekend. Blasphemy, I say! I've been paying close attention to the nightly news, and I've noticed a certain lack of progress on the economic front. Everyday, we delve deeper into the depths of an unemployable country. Spirits are lower than they have ever been before, and most private homes have been foreclosed upon. What better way to take the American public's mind off its black hole of drawbacks than scarring us with plots from Drive-In movies.
The first 100 days of the Obama presidency have been chicken pocked with oddness. After the fear of this Pig Virus sinks out of sight, I'm wondering what Grindhouse concept they will turn to next? Is someone going to unveil the truth behind Area 51? Will the ghost of a terrorist be caught in a mason jar like a firefly? It'll have to be something based in reality, yet slightly intriguing. Most definitely disturbing. Last year's attempt at tabloid news didn't get too far. Reports of a Montauk Monster quietly drifted into the ether, and when a real Bigfoot failed to stir up much controversy, it was revealed as a hoax. My money is on space aliens. But they might be holding that angle for when Obama fucks up real bad. Anything for this guy. I swear.
In the meantime, we have Twitter. This behemoth is an adult pacifier, and it's working perfectly to take our minds off the injustices of the world. Seriously, more people are concerned with jumping on this coy self-networking system of half mumbled sentences than they are with anything else going on at this current moment in history. Must be why that pig virus is so easy to spook you out of the theater. This one website has done more in the past six months to mollify a nation coming under the weight of a world beset by major catastrophes than any Pig Virus ever could. Twitter's motto is "What are you doing?" I ask, "Who cares?" Do we really need an instant update of James Gunn's bowel movements and Kevin Smith's lame pussy-boy attempts to get laid by his wife of fifty years? Hold the phone on that pig virus for a second! Ashton Kutcher has just reached a billion followers, and he's about to ding-dong ditch the White House. Seriously. What do we really know about this site? Despite who created it, it is a self-practiced form of Big Brother info-letting. Most people don't care. They are so desperate for any modicum of celebrity, they will release all of their personal information to seem important, if only to themselves. It's a great nullifier. But we must be cautious. If Twitter or The Swine Flu asks us to mark our body in any way, shape, or form in the next couple of days, we'll truly know that we are in the midst of the Rapture. But that's just a dumb kid's story, isn't it? Something reserved for movies and that strange piece of science fiction known as The Bible?
Either way, none of this goofy business should keep you out of the theater come this Friday, or any other Friday. Don't believe the hype of the situation as presented to us! The pig virus isn't as scary as their making it sound. Its bound to infect your lungs as efficiently as the bird flu and all of those killer bees did. Anthrax in the mail, anyone? Poor X-Men Origins: Wolverine. First the bootlegs and now this? The movie must have been made under a bad sign. Lets hope the hype surrounding The Swine Flu dissipates as quickly as the hype surrounding Watchmen once it was released. America has a very short attention span. I pray that the next ruse to direct our attention away from the fuckery going on in the U.S. is a little more entertaining. Movies are the only thing making any money right now. Don't cripple that for fear of the common cold. Go. Buy a ticket. Our economy needs the boost!
1. The Descendants "Paradise can go fuck itself", says George Clooney's character in "The Descendants," after learning that his (unfaithful) wife is in a coma. He lives in Hawaii but that doesn't mean every day is devoted to sipping cocktails on the beach, basking in the sunshine and doing the hula. Alexander Payne can do no wrong in my eyes and he doesn't here either. A perfect little film about making amends and starting over.
2. 50-50 What's funny about cancer?, you may ask, eyebrows arched. Writer Will Reiser (who based "50-50" on his own experience) makes it so with a lot of help from Joseph Gordon-Levitt and Seth Rogen. It's a disease film that avoids tear-jerking, contrivances and soap opera antics. Here is a real guy getting cancer and addressing it with a mix of humor and humility. Not enough people actually saw this movie, but it's really something special.
5. We Need To Talk About Kevin Lynne Ramsay's study of a sociopathic son made me both want to hide under a blanket and race to the doctor to get my tubes tied. It's essentially a real-life horror movie. Nobody really knows what goes through an adolescent's mind when he goes on a killing spree, a la Columbine, and the movie doesn't pretend to either. It's just a pitch-perfect glimpse at something almost too frightening to fathom.
6. Midnight in Paris Woody Allen's still got it. (And I'm sure I'll be saying that when he's in his 90s continuing to churn out quality movies - we should all have such creative stamina.) "Midnight in Paris" is a love letter to the City of Light, shot with the same adoration he once reserved exclusively for New York. Owen Wilson plays the token neurotic in this one, with a time travel twist: He stutters and bumbles with famous faces of the past such as Ernest Hemingway, Gertrude Stein and F. Scott Fitzgerald. A sheer delight.
10. Young Adult Speaking of uncomfortable...hello, Mavis Gary. Charlize Theron nails this role, tackling the dark side again after it won her an Oscar for "Monster." As a 30-something woman who has learned absolutely nothing in life, she comes back to her hometown to seduce her old beau. So what if he's married with a newborn. Patton Oswalt shines as the voice of reason, but of course she's deaf to anything but her own delusional nonsense. It's a witty, gritty, cringe-inducing gem from dream team Diablo Cody and Jason Reitman.
10) Elle: Isabelle Huppert is just on fire this year. This controversial film is an unexpectedly humorous but also harrowing story of a woman who reacts to being sexually assaulted with calculating detective work and unexpected courage. After The Love Witch, this is the feminist filmic jewel of 2016. 2b1af7f3a8